"Chain"

Recently produced by Jem Cohen in 2004, the motion picture mountain chain takes us on a journey. Two journeys, actually, journeys that appear to cross, stock-still inexplicably never meet. This narrative documentary of two women living amidst a homogenous urban/suburban backdrop is a collocation of their respective(prenominal) tales, stories that on the surface area apparently vastly different, besides in truth are intimately connected. Tamiko and Amanda, representing opposite ends of civilise society, are our two stars in this film. Tamiko, the well-paid Nipponese office pseudo looking for commercial property opportunities in the US, initially appears to be the more normal of the two, turns out to be awkward, almost robotic and simply obsessed with her day job and The Compevery. Amanda on the other account book is a teenage run-away cobbling together a awed existence on the margins of society, apparently just another dreamy, job-hunting commit with no real purpose in life. This discipline equation of two vastly different entities is one subtle record of the far-reaching and widely varying effects of globalization, Tamiko being new to the estate through her business dealings, and Amanda appearing to be too carefree to make an effort to do anything. Moreoer, Amandas obsession with malls and Tamikos employment with an world(prenominal) Japanese corporation further affirm this. Taking a deeper look, the shrill erosion of regional character giving way to somatic homogenization of landscape was cleverly embedded into almost any setting of the characterization by director Jem Cohen. Globalization has direct to this gradual convergence in scenery that is taking charge all over the world, as it was impossible to tell where the movie was being shot. In truth, scenes from the movie had been shot all over the world, but one could only know this having waited for the credits to project up after watching it;... If you want to get a panop! tic essay, order it on our website: OrderCustomPaper.com

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